Setting the stage for change: Getting your audience into creative learning mode

— The Engaging Event Series, #5 —

Today I feel like telling you about some overlapping ideas I’ve stumbled across from three very different people, who all happen to be brilliant, creative thinkers.  Each of these ideas has something to do with the challenge of helping people get into a mental and emotional space where they can most effectively absorb new information, brainstorm ideas, solve problems and develop creative solutions.  In other words, think differently.

Up first: Jeff Lieberman, host of the awesome Time Warp program on the Discovery Channel. Jeff says that creativity does not involve thinking; it involves attention–being in the moment. As he puts it, “Creativity comes from the moments we stop thinking.”  Here’s what Jeff has to say about the popularity of his TV show:

“The pieces that I developed in the arts and on the TV show created this feedback cycle where I noticed more and more that what I was working on was primarily engaging because of this initial sense of wonder it created. No matter what infor­mation you want to get across, this initial emotional reaction is necessary.” Simply put, this is what we mean by “getting their attention”.

Jeff says he noticed that people are only watching his show because in the first few seconds of each program, they see something that is totally foreign to them, and that opens them up. “When you’re in that receptive state, everything is different. When you’re in a state where you know that the things you are observing are outside of your realm of experience, you open yourself up to treat­ing things in new ways. It’s always about that initial three seconds, when you first engage this animal impulse of wonder and your audience is left speechless.” This is the true opposite of boredom—where we begin to “tune out” and, eventually, change the channel.  That’s the natural enemy of engagement and change.

I heard a similar message in a conversation I had recently with Russ Bennett, a designer, builder, sculptor, musician and social activist who lives just over the mountain from me in Waitsfield, Vermont.  Russ has done visual design and site layout work for most of Phish’s large extravaganzas as well as the incredibly successful Bonnaroo music festival in Tennessee (a worthy focus for a future blog post on the power of events—stay tuned). Russ believes that when you create an experience with music or theater, your audience comes to you with an open mind—and if you associate an agenda, learning objective or cause with the experience, you can truly move people to change the way they think and ultimately the way they behave. In the case of a festival like Bonnaroo, the context of camping out with 80,000 strangers and sharing a vibrant, multi-sensory cultural experience takes people out of their normal day-to-day operating mode and opens them up to new experiences, as well as new ways of thinking about things. And evolving our thinking is the first step in improving our actions and results.  

Why is this so? I got some insight into this from a webinar I attended last month led by Andrea Sullivan, who runs a company called BrainStrength.  Andrea explained that “states of mind” are the emotional, cognitive and physical condition from which people are operating at any given moment. (In the events business, we might also think about states as “experiences”.)  The more of the brain that is activated by the immediate experience, the more your audience will become engaged.  Activating not only the mind, but also the body and multiple senses, will increase the impact.  Whenever your body is engaged, your brain is engaged and focused on that very moment, as opposed to thinking something that happened this morning or that needs to happen by tomorrow.   Again, as Jeff Lieberman says, creativity comes from the moments we stop thinking. 

The brain also responds powerfully to emotion.  So creating personal meaning for people—establishing relevance to their lives and the things that are important to them—can build an emotional connection that will support a change in thinking. Tapping people’s emotions helps them learn, by opening them up.  If you can create a context and activities that put people in such a state and then attach good feelings to it, you will be well on your way to getting your attendees into creative learning mode.

Of course, you don’t have to blow up a banana or build a campground for 80,000 people to accomplish this (although it certainly might help). These principles can work in any situation, with any size group–even with an audience of one.  But when you’re designing this initial experience, it’s generally not a bad idea to have fun and include some simple physical activity.  And if you can start out by creating that little sense of wonder–that intriguing idea, image or experience that falls outside of our normal experience–that will set the stage for receptivity and creative thinking. 

What are some innovative ways you have seen or done this yourself?  Feel free to add a comment below…

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The Starfish Story: one step towards changing the world

You may have heard this one, but I find that it doesn’t hurt to be reminded of it every once in a while.  First let me tell you the story, and then we can talk about it. 

Once upon a time, there was an old man who used to go to the ocean to do his writing. He had a habit of walking on the beach every morning before he began his work. Early one morning, he was walking along the shore after a big storm had passed and found the vast beach littered with starfish as far as the eye could see, stretching in both directions. 

Off in the distance, the old man noticed a small boy approaching.  As the boy walked, he paused every so often and as he grew closer, the man could see that he was occasionally bending down to pick up an object and throw it into the sea.  The boy came closer still and the man called out, “Good morning!  May I ask what it is that you are doing?”

The young boy paused, looked up, and replied “Throwing starfish into the ocean. The tide has washed them up onto the beach and they can’t return to the sea by themselves,” the youth replied. “When the sun gets high, they will die, unless I throw them back into the water.”

The old man replied, “But there must be tens of thousands of starfish on this beach. I’m afraid you won’t really be able to make much of a difference.”

The boy bent down, picked up yet another starfish and threw it as far as he could into the ocean. Then he turned, smiled and said, “It made a difference to that one!”

adapted from The Star Thrower, by Loren Eiseley (1907 – 1977)

 
We all have the opportunity to help create positive change, but if you’re like me, you sometimes find yourself thinking, “I’m already really busy, and how much of a difference can I really make?”  I think this is especially true when we’re talking about addressing massive social problems like tackling world hunger or finding a cure for cancer, but it pops up all of the time in our everyday lives, as well. So when I catch myself thinking that way, it helps to remember this story.  You might not be able to change the entire world, but at least you can change a small part of it, for someone. 

They say that one of the most common reasons we procrastinate is because we see the challenge before us as overwhelming, and that a good way to counter that is to break the big challenge down into smaller pieces and then take those one at a time–like one starfish at a time.  And to that one starfish, it can make a world of difference.

 

“A single, ordinary person still can make a difference – and single, ordinary people are doing precisely that every day.”
— Chris Bohjalian, Vermont-based author and speaker

Strategies for Change: Bill McKibben on Using Events To Battle Climate Change

Lately I’ve been writing about how event planners can get even more impact out of their events by leveraging the resources at their disposal, in order to help create positive change.  This time I’m going to give you a prime example of how things can also work the other way around: anyone with a cause in mind can use events as a powerful tool for facilitating the change they’d like to see come about.

Bill McKibben lives down the road from me in Middlebury, Vermont.  Bill is the co-founder and global organizer of an organization called 350.org, which is focused like a laser beam on the challenges of global climate change. His latest book is Eaarth: Making a life on a tough new planet. 

One of Bill’s talents is that he is a very effective storyteller. And if you listen to what he’s saying, he’s actually a pretty scary guy.  (If you want to see what I mean, check out this Charlie Rose interview from last year.)   And that’s the point, of course.  Bill  and 350.org have built their overall strategy based on assembling groups of people and getting them engaged and empowered to take action to steer things in a more positive direction.  That’s a great example of using the power of events to create change.

I recently had a chance to chat with Bill about EventsForChange.  Here are some excerpts from my conversation with him:

As an activist, what part do live events play in your overall strategy for 350.org?

They’ve been at the heart of our strategy. In 2009 we coordinated 5,200 simultaneous rallies in 180 countries, and in 2010 7,400 in 189 countries. CNN called the effort “the most widespread day of political action in the planet’s history”.  Our emphasis is on very widespread and beautiful action, that we can then gather images of to make more than the sum of its parts.

 You have talked about the need to “build political will”.  Can you give a couple of best examples of how you have used events to educate, inspire and move people to action?

Well, when we did the earlier domestic version of this–called StepItUp, spring of 2007, we had 1,400 events in all 50 states.  And two days later both Obama and Clinton, then running for president, adopted our goal of 80% emission cuts. It was pretty neat.
 

 While planning 350.org events, how do you incorporate strategies for altering the perspective of people who are largely disinterested in the climate change issue?

Many people do that in their own communities. We don’t exactly plan the events–it’s more like a potluck supper. We set the date and the theme, and people come up with remarkable stuff in their own places. 

What role does storytelling play in the process of planning 350.org events?

It’s more in the aftermath. We tell the stories of these events constantly, in words and in pictures. 

What has proven to be the most challenging aspect of organizing events to support the mission of 350.org?

The globe is a big place.